Unveiling History Through Performance: Chris Hopper's "Reparations Play"

Seattle, WA – In an insightful interview on "The Day with Trae," Chris Hopper, the writer and director of the "Reparations Play," shed light on his powerful theatrical production, which aims to educate and remind audiences about the resilience and history of African Americans in the United States.

Hopper's journey into theater began at a young age, sparked by a family performance in 1979. He fondly recalled the excitement of seeing a production come together, captivating him from day one. His passion evolved, leading him to writing, initially dabbling in poetry during a five-year stay in Atlanta, Georgia. This period, spiritually significant to him as the birthplace of the Civil Rights Movement, inspired soulful poems that would later lay the groundwork for "Reparations Play."

The play tackles the complex and loaded topic of reparations by creating a unique historical encounter. Hopper's narrative places Thomas Jefferson, the third U.S. president, in purgatory, where he is confronted by Black people and asked to reflect on historical scenarios. The play delves into the transatlantic slave trade, showcasing the centuries of experience of African Americans through their eyes, thereby building a compelling case for reparations. Hopper describes this approach as a "great way to take on such a… heavy topic," presenting it in a story format reminiscent of ancient griots.

A core theme of "Reparations Play" is the importance of teaching and keeping history relevant, especially in a time when historical narratives are being redacted or hidden. Hopper, who also co-teaches history at Written High School, emphasizes the necessity of preserving both African American heritage and the complete story of American history. The play aims to educate, remind audiences of the plight of African Americans, and foster understanding, particularly regarding the significance of holidays like Juneteenth and the contributions African Americans have made to society.

The "Reparations Play" is structured in three acts, incorporating dance and music to create an engaging and entertaining experience. Hopper hopes that audiences will walk away with a profound appreciation for the resilience of African Americans and their collective strength. He emphasizes the importance of understanding the full history, noting that African American history did not begin with slavery, and highlighting how their resilience has allowed them to rebuild even after devastating events like the destruction of Black towns such as Tulsa, Oklahoma, and Rosewood.

The timeliness of the play is underscored by recent developments, including a study for reparations that just passed in Washington state. Hopper has been working on the play for years, with previous successful runs in 2017 and last year, which garnered significant outpouring and appreciation, leading to the current revival with almost the entire original cast returning.

Hopper expressed his elation at the cast's dedication, noting their consistent collaboration through meetings and discussions that had enhanced the production. He specifically credited Tom Stewart, who plays Jefferson, and Maurice Farmer as Jamu, a main character, for their consistent performances. He also mentioned the addition of Miss Floss to the cast, choreographer Naji Caberno, and costume designer Akiia Roni, all of whom are contributing to the show's success. The multigenerational cast, ranging from high school age to those in their 40s and 50s, further enriches the production.

"Reparations Play" offers a unique opportunity for audiences to engage with a vital part of history. The show is free to the public and will be performed on August 16th and 17th at the Rainier Arts Center, located on Alaska Street in Seattle. Tickets can be acquired by scanning the QR code displayed on the screen during the interview above or through Eventbrite. Hopper encourages everyone to attend, emphasizing that it is a story for all community members, regardless of background, to understand resilience and the ongoing legacy of African American culture.