How can the Seattle arts community better invest in Black creatives? Artist Symonne Larison tells us how in a recent conversation at Colman Commons, where she brought high saturation, deep contrast, and blunt honesty with her immaculate collection. Her pieces on display balance a dual purpose: celebrating intimate cultural rituals and individual confidence within the Black community.

By capturing sacred communal moments like hair styling alongside solitary depictions of strong Black masculinity, Larison aims to create a space where young Black people can finally see themselves represented and reflected on gallery walls.

The exhibition features distinct works like “Come Sit Youngblood” and “Girl I Got You,” which explore the bonding and unspoken cultural connection of hair rituals, as well as “See All Evil,” a portrait highlighting quiet solitude and unshakeable confidence. 

Rather than allowing Black art to be limited to a token checkbox during designated heritage months, Larison views Colman Commons as a permanent cultural anchor and a true third place for authentic programming. Her exhibition is a direct call to action, urging the Seattle art community to move past performative allyship and invest in local creatives right now by buying tickets, supporting events, and purchasing original artwork.

Larison’s portraits can currently be viewed at Colman Commons. Updates on her upcoming exhibitions and future projects can be found on her Instagram.

Looking to book a space for your upcoming event? Check out Colman Commons for all your event space needs at colmancommons.com